Student s nameProfessor s nameClass nameDate assignment is dueVisual Argument of Art : Making the unseeyn VisibleFamous craft plant life of modern and post modern measure are most a great deal argued as just an dodging or have deeper meanings . I do believe than in an artworkwork lies a deeper meaning , mostly of those which do non often see in unrivaled creative person . Infact , Berger in Ways of Seeing often challenge ways of look at art and other images that ignore the status of whole works of art as commodities . He completely re-shifts the readers understanding of art . It is close to art philosophy , plainly much much than than that , how we understand the nature of art , and how it relates to our cultures and societies . We not only deal in a capitalistic society , just now 1 in which virtually all i ts inhabitants are consumers . Consumers purchase commodities . Berger wants to come alive the consciousness of viewers of these paintings that they are not merely masterpieces but commodities . Or in the case of oil painting , optic representations of commoditiesOne painting of Andrew W to that degreeh entitled Christina s World describe exactly the unperceivable which is made manifest through his artwork . facial expression at the painting , you ll get the imprint of sadness when outset seeing and knowing the story behind how this painting came round and I identicald it simply because it is an honest painting . This painting lives the tonus of nostalgic lonelinessIt reminds me a bit of the painting made by James Whistler Harmony in Blue and fluent . The painting is set on a countryside levyland on make pass skied autumn day . in that location are no microscopic trees and the field is covered with what looks similar drying grass . in that respect is a visible division on the grasses that tells where it! has been grazed or not .

A frail looking girl , Christina , corrosion a pale pink dress , is sitting about sprawled in the grass veneer the vast field . We clean up sum see that she seems to be gazing at an experient do workhouse from afar . An grizzly barn stands not far from the farm house and what looks like remnants of old picket posts can be seen near the farm house . However , if we see Christina in the painting as an un able youth , looking her house from afar , justness is , she was already 55 years old , and had an undiagnosed potent deterioration which paralyzes half of her body . Christina is a lready crippled , only the painter attaches Christina s thin frail hand to the body of his 30 year old wife , which he used as his model in this painting (The Olsen House , 2004As Wyeth had painted Christina veneering backward , showing her very thin hands and legs as she crawled her way towards the house or merely looking at her world from a distance , it doesn t show her true emotions whether she is intelligent , sad , crying or struggling . Upon analyzing the colors , the operative used the dull and weak types of palettes . There is no visible bright , strong...If you want to get a full essay, square off it on our website:
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